Alexandre Morin is guided by a curiosity in the infinite potential of the sensorial body in scenographic environnements. His object and material driven practice is founded on a deep rethinking of the body in its plasticity and imaginative capacity.

Through his research, he strives to liberate the body from its social envelope to reveal it as primal kinesthetic material, bringing sensations, personal archives and abstract potentialities into motion. His movement research is informed by ecosomatics and queer studies, with a pronounced interest in human anatomy, marine biology, and sculpture.